Different Doesn't Always Mean Worse

Before I get into my next post, I have to say one thing: Buses are helpful. Exact change is evil.

Anyway, here's a list of the “normal” (read: non-BL) Japanese TV shows I've been watching, featuring a few of the actors I've decided to keep track of. The funny thing about these shows is that you can usually end up playing the Six Degrees of Separation game (based on the theory that everyone in the world can be connected to virtually anyone in six steps.) So I would watch one show because of X actor, then find Y actor from the same show pop up elsewhere, who just happened to co-star with Z actor, whom I'd already seen in another series with X actor...repeat ad infinitum. Even I can't keep up with all the connections, so I may miss a few when describing the shows.

Also, for the record, I freely admit Japanese names confuse me and I can often get the order wrong. Although I'm aware the surname comes before the first name in Japan, I've seen the names below written both ways so I'm not always certain which is which. I'm 100% certain Saito(h) Takumi is correct, but the others are open for interpretation.

There is an order to this, I swear (at least, I think so). So as not to bore everyone with a long post again, I'll probably end up breaking this up into a couple of segments. Let's start with the first three non-BL projects that I watched:

Boys Este
Featuring: Saitoh Takumi as Shikishima Shichiri

Not subbed in English yet, but the general plot involves Akagi Hibiki, a high schooler who starts work at an esthetic salon, and a young girl named Shizuka who lost confidence in her looks when her former boyfriend insulted her. While they struggle with their feelings for each other, Shikishima's eye also lands on Shizuka.

A 12-episode light romance/comedy series, not to be confused with Saitoh's darker and more graphic movie Boys Love. No BL in this show, although it's hinted at least once that Shikishima is bisexual. The humor takes some getting used to, but once you get past Shizuka's overacting in the comedic parts, it's actually an enjoyable series. I had a difficult time locating all the episodes, but it isn't impossible.

Princess Princess D
Featuring: Kamakari “KenKen” Kenta as Yutaka Mikoto; Saitoh Takumi as Arisada Shuya

An all-boys high school (which is apparently a popular setting for TV shows) has established a rather unusual practice: choosing three first-year students every year to dress as “princesses” and be the school's official mascots. A very reluctant Mikoto is coaxed into it by his friends, and discovers a few things about the true power—and trials—of friendship.

KenKen was also Hyotei's Shishido in Tenimyu. I don't know what it is with Japan and cross-dressing, but at any rate Saitoh is practically one of the only actors who don't end up in a dress by the end—and let me tell you, seeing the rowdy and incredibly boyish KenKen dressing in pink lace is enough to give anyone nightmares. There were also hints of BL sprinkled liberally across the ten epsidodes, although not enough to be classified a BL-genre show. Overall, the series was “cute”, but I doubt I'd sit through the whole thing a second time.

Forbidden Siren 2
Featuring: Saitoh Takumi as Itsuki Mamoru

This isn't actually a series, or even a movie—it's a video game for the Japanese PS2, following in the tradition of the survival horror genre ala Silent Hill. 29 years ago the remote island Yamijima was thrown into darkness when an underwater cable snapped. The next morning, all of the island's inhabitants were gone. A group of present-day travelers are visiting the island for their own separate reasons when the boat they're on capsizes--and that's just the beginning of their terror.

Even if Saitoh hadn't lent his voice to the main protagonist, I probably would have been interested in this game anyway. The story seems fairly complex, the developers made the creepiness factor actually work, and apparently one of the main features is the fact you end up playing many different characters by the end. Very much like Alan Wake, light plays an integral role in gameplay, which I find fascinating. Even the violence level isn't all that bad compared to its English counterparts. But Japanese games won't work on American consoles, so I guess I'll just be happy with the cutscenes others have uploaded to the internet.

Up next: Kazuki Kato, Shirota Yuu and how I ended up expanding my search beyond the grads of Tenimyu.

The Different Side of Japanese Movies

My last two posts have been about the Prince of Tennis musicals, but the truth is I ended up getting interested in them because of Saitoh Takumi, and I only saw Saitoh because one of my perverted friends suggested watching a movie called Sukitomo. (I'm not saying I'm ungrateful for finding him, but come on—he has done non-BL projects...)

I also held off discussing other Japanese movies until I covered Tenimyu because, as it turns out, nearly every Japanese-made movie or TV series since 2005 tends to feature one or more “graduates” from a Tenimyu production. This may be due to the fact that there are so many cast members in the various productions (not to mention the various people who have played the different characters over the years) that it's practically a given for the acting industry to be inundated by them. This is particularly true in the BL genre, where a certain few actors seem to dominate the stage.

I'm breaking this up into two posts, of which the order will hopefully make sense. This post will review the BL-genre movies I've seen, and the next one will review the non-BL projects. For this post, I'll review the ones with so-called “happy” endings (read: no one dies, tries to kill someone, or ends up in a similarly unfortunate situation) first. The ratings are mine, keeping the content in mind:

Sukitomo
Rated PG












Summary: Yoshiki (Aiba Hiroki), a photographer for his school newspaper, takes pictures of his childhood friend Tomokazu (Saitoh Takumi) at boxing matches. A frightening incident makes him realize he just might like the clueless Tomo more than he thought. The only problem is, so does Tomo's own stepsister.

Review: This was the first project where I saw Saitoh Takumi and Aiba Hiroki, and had no idea they had been in Tenimyu together (as Hyotei's Oshitari and Seigaku's Fuji respectively.) While I rate it PG, the truth is nothing ever actually happens; it's probably the “safest” movie out of everything I saw, which is why I suspect my friend suggested it first. The tension is entirely emotional. It's the content of the film that makes it PG—aside from being a BL movie, it touches on the subject of incest (despite the fact Tomo and his stepsister aren't blood related.) On an unrelated note, this is also the movie where I learned the appropriate time to say Ja, matashita (“Then, see you tomorrow.”)


Itsuka no Kimi e
Rated PG-13












Summary: More photography! Photography major Hayase Kouhei (Ryunosuke Kawai) can't figure out his new classmate, the introverted and unapproachable Noboru Fukami (Saitoh Takumi), and ends up befriending Noboru's more outgoing brother Ryu. But the dark secret of Noboru's past may not be what Hayase expected.

Review: Another Saitoh movie—he must have been really busy in 2006. This time he stars with Ryunosuke Kawai, who played Hyotei's Hiyoshi in Tenimyu. I have to say, out of all the BL movies I've seen, this movie had a plot that was the most believable (and interesting.) Admittedly it's predictable, but the acting makes it impressive. However, there are a couple of decidedly suggestive scenes you may not appreciate, and an actual kiss towards the end. If you can handle that, then you might want to take a look, just keep one thing in mind: “Aniki” is the term for a brother, not a name.


Takumi-kun Series: Soshite Harukaze ni Sasayaite
Rated PG









Summary: Takumi Hayama (Tomo Yanagishita), a youth with an acute fear of being touched, attends an all-boys high school where he attracts the attention of the school's idol, Saki “Gii” Giichi (Kato Keisuke), much to the chagrin of Gii's longtime admirer Izumi (Yasuka Saito). Unfortunately, he also catches the eye of a devious, predatory student, who has plans of his own for Takumi.

Review: Tomo Yanagishita (Seigaku's third-generation Kaidoh from Tenimyu—of course) plays the lead; Aiba Hiroki (Seigaku's Fuji) also makes a brief appearance as a violinist. For the most part this movie is relatively safe, and even kind of sweet, if grossly overacted. (Although I get the feeling from other people who have seen the movie that it was intentionally done like that, since the manga is much the same way.) The plot was simple and predictable, but again, it was clearly intended to be like that so I can't fault them. There's a suggestive scene at the end, but the frosted lighting simply makes it too comical to be realistic.

Ai no Kotodama
Rated PG-13












Summary: University students Ootani (Hidenori Tokuyama) and Tachibana (Yasuka Saito) have been living together for two years, hiding their relationship from others. A girl from their high school days suddenly shows up out of the blue, sparking jealousy and misunderstanding between them.

Review: At first I thought there was no Tenimyu connection in this film, but as it turns out Yasuka Saito (who was also Izumi in Takumi-kun) had played Higa's Hirakoba in the "Progressive Match" Tenimyu performance. It's an interesting take on the BL genre—the two actually start off together and face challenges as a couple, rather than getting together halfway through the movie. There are a couple of suggestive scenes and at least one kiss, but nothing too serious or dramatic.

And now for the “Not So Happy Endings” (otherwise known as “the crippled puppy drowns after watching his mother get hit by a car” endings). Do not watch if you're depressed, or don't want to get depressed:

Boys Love
Rated R

Summary: Magazine journalist Taishin Mamiya (Yoshikazu Kotani) is hired to interview the famous model and temperamental high-school student Noeru Kisaragi (Saitoh Takumi), only to find himself in deeper water than he imagined. After a rough start, their relationship is further tested by the demons from Noeru's past and the wanton promiscuity they drive him to in the present. And then there's the matter of Noeru's overprotective friend Chidori (Hiroya Matsumoto)...

Review: The title says it all. Saitoh's back, teaming up with yet another Tenimyu alumnus: Yoshikazu Kotani, formerly Seigaku's Kawamura. First, I take serious issue (!) with the way the relationship between the characters started, but after witnessing far worse things in Kichiku Megane I suppose it's to be expected in this genre. And the ending...granted, the opening scene already gave the impression it wasn't going to end well, but literally everything changes in the last three minutes. It's basically like a sucker punch with an added knife-twist for good measure. I've noticed this theme a lot with BL products, which strengthens my belief that the producers of such projects think these endings are appealing to women. (I would really like to meet these women, because I didn't find it appealing in the slightest.)

While you never actually “see” anything, there is partial nudity and a few scenes that don't leave anything to the imagination, which is why I gave it an R rating. Still, the acting is pretty damn good for a Direct-to-DVD film, so if you can handle the scenes mentioned above, it's a decent enough picture. And for the record (MAJOR spoiler alert; highlight to read): Saitoh can do a fantastic death scene.


Renai Shindan
Rated PG-13






Summary: This is actually a 12-episode TV series instead of a movie, with four completely separate story arcs covering different aspects of “forbidden love”: the first and last arcs are BL, with three episodes each.

In the first story arc, the young painter Tsubasa (Tomo Yanagishita) is constantly being harassed by a gang of thugs when he meets two other boys: tough rebel Leo (Shiozaki Airu) and quiet sculptor Kain (JURI). When he has to choose between the two, the consequences may prove more than he can handle.

In the last arc, physician Kei Katsuragi (Ryunosuke Kawai) is saved by lifeguard Kanade Maki (Kumai Kouhei) when he nearly drowns. No sooner does the relationship start than Kanade is diagnosed with a serious—and fatal—heart condition. (Think of it as Love Story with a truly gut-wrenching twist at the end.)

Review: Like everything else I've seen, Tenimyu actors abound in the BL portions of this series, although Saitoh is absent. Tomo Yanagishita (Seigaku's third-generation Kaidoh and star of the Takumi-kun movie) shows up again, along with Shiozaki Airu (Rokkaku's Amane) and JURI (Yamabuki's Jin). In the other story, Ryunosuke Kawai (Hyotei's Hiyoshi) is back after doing Itsuka no Kimi e to play the role of Kei.

Like the movie Boys Love, nothing is ever actually shown, but you do see some kissing and fade-to-black scenes. Again, the focus seems to be more on emotional trauma than anything else, and this series has that in spades. Without spoiling anything, I can only say you shouldn't expect a happy ending. Ever.

So there you have it. Really, the only reason you'd see these films is if you're a fan of any of the actors (like me *coughSaitohcough*) or you like the genre. If I had to recommend one out of all of them, the acting in Itsuka no Kimi e impressed me so I'd go with that one. Up next: the "normal" Japanese projects I've seen.

Mada Mada Dane

Warning: way too damn long post ahead. Sorry (truly, I am), but I couldn't break this one up in a way that made sense. Go make your phone calls now and grab a soda—this may take a while.

In my last post I mentioned discovering the work of Saitoh Takumi and Kato Kazuki. While they both have considerably extensive careers for their age (27 and 24 respectively), they co-starred in a few stage musicals based on the Prince of Tennis series from Shonen Jump. (I actually saw Saitoh in other projects first and backtracked to his work in this musical, but I'm mentioning Prince of Tennis first for reasons I'll discuss in my next post.)

Prince of Tennis, simply put, is a manga series that's been adapted into an anime, countless Drama CDs, a movie, and several live musicals/concerts. The main focus, at least originally, was on 12-year-old tennis prodigy Echizen Ryoma and his struggle to rise in the ranks of Seishun Gakuen's (Seigaku for short) prestigious tennis club. Since then, it's grown to encompass a much larger cast of characters from rival schools across Japan: Fudomine, St. Rudolph, Hyotei, Yamabuki, Rokkoku and a slew of others, all of whom regularly have tennis matches against Seigaku and each other.

The truth is I don't even LIKE Prince of Tennis in general. I'm not a fan of sports-related series, and I doubt I ever will be. I never felt the need to read the manga, and I never got past episode 3 of the anime. Even now I'm in no rush to read or watch the series. Nor am I a fan of the anime-turned-musical formula, and I've stayed far away from any musicals connected to Bleach, Naruto and Sailor Moon. (Especially Sailor Moon.)

But there's just something about the Prince of Tennis musicals (nicknamed “Tenimyu” by its fans) and the correlating Dream Live concerts that's quite compelling. It's really embarrassing just how much I've come to enjoy the Tenimyu productions I've seen. The music is actually good, the acting is believable, and the characters are three-dimensional. Seriously, it's addicting.

I came across the subbed version of “Imperial Match in Winter” featuring the characters from Seigaku and Hyotei; at first I resisted watching it, despite the fact Saitoh was in it, just on principle alone. Still, my insatiable curiosity won out and I downloaded it. Saitoh Takumi plays Hyotei's blue-haired, spectacle-wearing genius Oshitari Yuushi, while Kato Kazuki plays Hyotei's talented (and astonishingly arrogant) team captain Atobe Keigo.

My interest in the show itself comes from a few sources. First, each Tenimyu production is truly an “ensemble cast” in every sense of the word, something that's practically unheard of in America these days. Although the hero is technically Echizen Ryoma, the PoT universe is so vast it encompasses many other characters, each with their own unique personality quirks and tennis-related skill. For example, there's Inui, who systematically collects data on his opponents to use against them; Kawamura, whose entire personality suddenly changes whenever he touches a tennis racket; and Atobe, who can almost psychically detect his opponent's weakness just by placing his fingers between his eyes. Each character has a fully fleshed-out personality and background, which makes them more interesting to watch.

For this reason, there are no “filler” characters in the musical—they all have a reason for being there, and some of those reasons are explored onstage. Echizen doesn't even appear for most of the performance. Even the so-called bit parts in each production feature characters who had much larger roles in the other shows. Everyone's role in the show is equally important, truly making it a group effort. While there are ensemble casts in American musicals, rarely will they ever get the chance to stand out in such a way.

Up front, I can honestly say most of the actors weren't hired because they could sing, which seems ironic for a musical. Saitoh certainly can, but by far the most powerful singers were Kato Kazuki and Shirota Yuu (Tezuka)—which is probably why they ended up playing the two team captains and getting the most solo lines in the songs. Many of the others seem to have been cast more because of their acting skills than their voice; at first I actually wondered why Yanagi Kotaroh was cast as Echizen Ryoma since it looked like he couldn't move OR sing, but after reading this article on Wikipedia I'm simply amazed he was alive and well enough to walk, let alone perform onstage.

Still, what the actors lack in singing range, they make up for with an honest, unmitigated passion. They truly valued their roles, and you certainly see that. As someone who's observed a great number of the cookie-cutter musicals on Broadway where many actors phoned in their performances, the raw energy and enthusiasm I see coming from every member of the Tenimyu cast is quite refreshing.

For a musical based on a manga, it surprisingly builds tension at all the right moments. Not every live production is able to have that constant progression to the climax/denouement, although I guess it's easier for a sports-based show that leads to a “final showdown” than for others.

Although the school that PoT mainly focuses on is Seigaku, while I greatly admire Tezuka's steadfast determination and Fuji's unshakable composure, I must admit I'm very much a Hyotei fan at heart. The Hyotei cast had me by the second rendition of “Koori no Emporer”; I'm pretty sure that would have happened even if Saitoh didn't play Oshitari.

Not that anyone is likely to care, but I found my absolute favorite number to be “Ikki uchi”, the duet between Tezuka and Atobe towards the end of Imperial Match in Winter. I've always had a weakness for reprisals of earlier songs that manage to harmonize seamlessly with each other, especially when they're sung by two opposing characters who each have everything on the line. Other favorites include “Do Your Best”, “Data wa uso wo tsukanai yo”, “Yudan sezu ni ikou”, “Koori no Emporer”, and “Katsu no wa Hyotei”.

So why is PoT considered a staple in the BL world? Well, considering the sheer number of male characters alone, it was probably a given from the very beginning. Even though the series itself isn't geared towards BL, a cast like that would certainly invite it.

And supposedly the fans already consider two particular relationships to be canon romances: Oishi/Eiji from Seigaku and Shishido/Choutarou from Hyotei. However, as I've witnessed even in non-slashable shows like MASH, that doesn't stop fans from creating their own pairings. From the info I gleaned from Google, the most popular shippers by far seem to be Tezuka/Fuji, Ryoma/, Oshitari/Gakuto, Oshitari/Atobe, and perhaps most surprisingly, Atobe/Tezuka. (Yes, you read that right.) While the main Tenimyu productions don't entertain these ideas, the actors appear to enjoy giving the audience “fanfic fodder” at the Dream Live concerts. Innuendo flows freely, and at one concert Oshitari even apologizes to Gakuto "about yesterday", saying he meant to call. There's also the reputation Tenimyu has as a launchpad for the careers of many cast members, several of whom have gone on to do BL-related work...

There's quite a few Tenimyu productions out there if you're interested, although the only one I've seen subbed is the “Imperial Match in Winter” featuring Hyotei Gakuen (not to be confused with summertime's non-subbed “Imperial Match” with the same cast.) At the very least, try watching that production along with the subbed Dream Live Third concert to get a good idea of what it's all about. Even if you end up hating anything related to Tenimyu, it's good exposure into the world of Japanese live acting.

The following are links to the subbed Imperial Match in Winter. Note: I DID NOT UPLOAD THESE VIDEOS--they came from a LiveJournal website found here. He has a number of other PoT-related videos as well, along with several other Japanese dramas and anime.

Part 1

Part 2

Part 3

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Now playing: Trapt - Headstrong
via FoxyTunes

A Drama By Any Other Name

I'm not exactly sure how I made the jump from listening to seiyuus in various anime to Japanese dramas (or, as some rather frightening otakus try to insist, “do-rama”...probably the same folks who missed the joke and still insist Hellsing's “Alucard” is misspelled.) The closest tie I can find lies with my attempts at finding a few seiyuus in live-action work. As it turns out, while many of them dub certain English movies that come to Japan, the vast majority stay within the realm of animation.

Oddly enough this makes sense, considering they're completely separate fields of work despite being in the same industry. Even here in America, I can't think of any actors who have managed to maintain a career in both fields at the same time; they usually give one up in favor of the other, or are primarily in one field with occasional work in the other.

At any rate, my venture into the world of Japanese live-action projects led me to a few names in the acting field, and one particularly interesting find: Saitoh Takumi.

Now, let me preface the following by saying that anyone who knows me is well aware how rare it is for anyone to catch my eye. When my friends had magazine photos of the latest “hot actors” on their walls, I had prints of fractals and photoshopped fantasy landscapes. I can be greatly impressed by someone's work, or admire their outlook on life or their humanitarianism, but I don't think I've ever really stopped dead to watch someone since I was about 14.

*ahem* That being said...

Oh. My. God. Saitoh Takumi. I would gladly pay any amount of money to watch him in ANYTHING. (I'm not kidding. Even just reading the phone book onstage. In Japanese. I don't care.) I'm quite proud to say I've never “squee”d once in my life, not even as a teenager, but this is probably the closest I've come to it. He's only two months younger than me, too. (Does this mean I have a thing for younger men? Heh.)

How did I find out about him? Well, the most accurate answer would be to say my friends are perverts (and you know who you are) who were more than happy to point me in the direction of live dramas when I told them what I was doing. They were curious as well to know if any seiyuus had roles in live projects; however, the only references they had on hand were BL dramas.

This means that, yes, Saitoh has been involved in a number of live-action BL movies along with his other “regular” work. Not pornography, mind you—apparently a line is drawn when the actors are actually seen as well as heard, for which I'm eternally grateful. These movies seem to follow the same rules as the games and Drama CDs as far as plot is concerned: they all focus on emotional turmoil over action/adventure (I have yet to see anything catch fire, get riddled with bullets or blow up on the set) and more than one of them have an ending so far from “happy” that driving shards of glass through your arm would actually lighten your mood.

As far as acting ability goes, coming in a close second to Saitoh Takumi is Kato Kazuki. I would explain where I saw him first (and since), but that would completely ruin the semi-chronological order I'm trying to maintain in my posts, so I'll leave that for another time.

Consequently, the fact I'm watching/listening to more Japanese media than American these days has convinced me of the need to actually learn the language—both speaking and writing. Not everything I've seen is subbed, and many of the subtitles I've seen lie somewhere between “awkward” and “completely different from what's being said”. So, in a shockingly rare moment in my life, I'm actually serious about something. God knows I have nothing but time on my hands these days; I might as well use it constructively. To that end:

Nihongo ga sukoshi wakarimas. Demo, mada jozu ja arimasen.

Exactly what projects have I seen Saitoh Takumi in, and what does he have in common with Kato Kazuki? That's in my next update.

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Now playing: Kato Kazuki - Solitaire
via FoxyTunes